The State of Dance in the Union

Discussing the changing environment of dance, the arts, and American culture from the perspective of an artist living in Brooklyn, NY

Call To Action

Posted by holbart on April 18, 2012
Posted in: American Culture, American Politics, Dance, New York. Tagged: American public policy, art appreciation, artistic discource, Blueprint, community, cultural exchange, Dance, Dance Workforce Census, Dance/NYC, John Dewey, Junior Committee, NEA, New York City, Occupy Wall Street, regional dance, The State of Dance in the Union. Leave a Comment

“Dance is a field with more guerrillas than institutions” –John Munger, Director of research and information at Dance/USA

Dance/NYC’s mission is to strengthen the professional dance field in New York City.  They help to foster a society that appreciates the art of dance and supports the creative process.  In 2007, former Dance/NYC Executive Director Michelle Burkhart created the Junior Committee (JComm) to advocate specifically for young professionals in dance and to serve as a liaison between the organization and its younger constituents.  JComm is a diverse sample of the field’s guerillas and our partnership with Dance/NYC brings us in from the fringes and allows us to effect an institution.  Our relationship is mutually beneficial and we work together to serve the dance community.

We believe support for the arts is worth fighting for.  Last year the Junior Committee, with support from Dance/NYC, conducted a financial survey of our peers, the Dance Workforce Census: Earnings Among Individuals Ages 21-35, and the results were enlightening. 1,231 individuals volunteered to participate in our survey.  On average our peers make $28,000 a year.  Roughly 70% have jobs outside of the field to supplement their income and more than 40% of participants earned less than $5,000 from dance related jobs.  As Beverly D’Anne eloquently said after our report was published:

“If the passion, discipline and creativity of these individuals is not to be wasted, it must be allowed to flourish in a way that confirms that dance is, indeed, a respected profession –a place where achievement is recognized by the ability to earn a living wage, with appropriate health insurance benefits and a modicum of financial stability.”

The Junior Committee and Dance/NYC will use these findings, along with Dance/NYC’s other research, to continue advocating for professionals working in the field.  As stated in JComm’s mission we strive to “strengthen and unite a community of professional artists and administrators; provide a forum for dialogue among diverse perspectives; and re-energize our peer group in a challenging field.”  We are 20 individuals between the ages of 21-35 who work in a variety of capacities throughout the field –artists, administrators, educators, and advocates.  Our strength lies in our member’s various points of view, a shared passion for the development of the profession, and 20 individuals willing to work.

When Occupy Wall Street set up camp in the middle of September 2011, Americans were reminded of the collective power of citizens.  American history is rich with movements of the people that created change; the Boston Tea Party, the Montgomery Bus Boycott and the Occupy camps across the country, all involved citizens coming together with a common desire to participate in shaping the future of this country.  The Tea Party sparked the American Revolution, the Bus Boycott lead to the fight for civil rights, and the Occupy movement has focused the national discourse on economic and social inequalities.  Throughout history, change in our democracy has been achieved through community organizing and direct action.

John Dewey, American philosopher and educational reformer, believed that “democracy is more than a form of government; it is primarily a mode of associated living, of conjoint communicated experience.”  We are not autonomous individuals, we live within a society.  As a society we must evaluate what we collectively value.  Are highways and schools important?  Yes, then the people should build highways and schools.  If we value the humanities, sciences, and arts, then our society should have programs in place that foster their development.  America doesn’t have a strong tradition of supporting the arts and changing this won’t happen over night. That is why organizations like the Junior Committee are so important.  We engage our demographic, give voice to those who often feel marginalized, and take action.  When we work together we can build a brighter future.

JComm’s most recent project, the Blueprint, is meant as a tool for communities to develop similar committees in their region.  We are working hard in New York City but there are dance communities around the country that would benefit from the collective power of a group like this.  The Junior Committee hopes you will find a way to get involved and strengthen support for dance and the arts in America.

 

-Hollis Bartlett

Junior Committee Member

Preparing for Albany

Posted by holbart on February 13, 2012
Posted in: American Politics, New York. Tagged: American public policy, Dance, Dance/NYC, Doug Varone and Dancers, jobs, Junior Committee, NEA, New York City, New York City Arts Coalition, New York State Council on the Arts, NYSCA, regional dance, State of NYC Nonprofit Dance, The State of Dance in the Union. Leave a Comment

Tomorrow I will join the New York City Arts Coalition and Dance/NYC for ‘Arts Day in Albany’.  As I prepare for many meetings with representatives I have put together some key points, videos, statistics and personal testimony.

-Dance/NYC: “This is an important opportunity for the City’s dance community – artists and managers – to meet our representatives and help make the case for State funding.  The 2012-2013 executive budget released last week recommends $37.7 million in total funding for the New York State Council on the Arts (NYSCA), a $1.2 million decrease from the budget for 2011-2012.”

-I currently work for Doug Varone and Dancers, a modern dance company based in New York City.  The company employs 11 people who pay rent, buy groceries, and pay taxes in New York State.  NYSCA has supported Doug Varone and Dancers for many years; they provide generous unrestricted support for the creation of new works, administrative costs, and our summer workshops.  Also, “the NYSCA ‘good housekeeping seal of approval’ is crucial to leveraging other government funds, notable from the NEA and the New York City Department of Cultural Affairs,” – Martha Neighbors, Executive Director of Doug Varone and Dancers.

-“America’s nonprofit arts and culture industry generates $166.2 billion in economic activity every year – $63.1 billion in spending by organizations and an additional $103.1 billion in event-related spending by audiences.  The national impact of this activity is significant, supporting 5.7 million jobs and generating $29.6 billion in government revenue.” From ‘Arts & Economic Prosperity III’ published by Americans for the Arts.

-Preliminary findings from Dance/NYC’s ‘State of NYC Nonprofit Dance’ (these statistics represents 104 NYC nonprofit dance organizations that have budgets greater than $25,000):

  • In 2009 these 104 groups contributed $215 million to the city’s economy
  • Labor costs are heavily subsidized by volunteers
  • these organizations produced 1,200 performances locally and another 1,000 on tour to a live audience of about 3.7 million

(see earlier post The State of New York Nonprofit Dance 10/14/2011)

DanceForTheTube 01/2012

Posted by holbart on January 29, 2012
Posted in: Dance, Hollis Bartlett. Tagged: Beastie Boys, Dance, DanceForTheTube, different trains, Hollis Bartlett, improvised dance, music, posse in effect, Steve Reich. Leave a Comment

I’ve started a new project….

[music + improvised dance] + YouTube = DanceForTheTube

‘Posse in Effect’

‘Different Trains’

‘Rainbow in the Dark’

Ballet in the 21st Century

Posted by holbart on December 16, 2011
Posted in: American Culture, Dance, New York. Tagged: Alexandra Ansanelli, American Public Media, Apollo's Angle's, classical ballet, dance history, George Balanchine, Jennifer Homans, Judson Church, Live From Lincoln Center, NPR, NYC Ballet, PBS, post-modern, Royal Ballet, The Nutcracker, The Story. Leave a Comment

I’ve been surprised by the recent attention ballet has received on national public media:

-Jennifer Homans discusses the political and social history of ballet and her new book Apollo’s Angles on NPR: Tracing Ballet’s Cultural History Over 400 Years

-NYC Ballet presented George Balanchine’s Christmas classic, The Nutcracker, on PBS Live From Lincoln Center

-Alexandra Ansanelli of NYC Ballet and London’s Royal Ballet talks about her career and her decision to leave the ballet world on American Public Media’s The Story: Unlacing The Slippers

The Jennifer Homans’ interview is extremely interesting. I haven’t had the chance to read Apollo’s Angles yet, but this is the second opportunity I have had to hear Ms. Homans speak. She is a brilliant dance historian who was a dancer herself. Homans has a vast knowledge of the role ballet played in aristocratic society and how the art form developed over the centuries. There has been some controversy over her concluding thoughts in Apollo’s Angles; in this interview she stands by her position from a historical standpoint. Homans writes in her book:

“Something important really is over, we are in mourning. Classical ballet has always been an art of belief; it does not fair well in cynical times. It’s an art of high ideals and self-control in which proportion and grace stand for an inner truth and elevated state of being. Today we no longer believe in ballet’s ideals, we are skeptical of elitism and skill, which seem to us exclusionary and divisive.”

Ballet used to be at the center of culture; now ballet is extremely conservative and focuses mainly on preserving the classics. Homan argues that it has lost its connection to society, and I agree. After watching NYC Ballet’s Nutracker last night, I will admit that I think ballet wasan amazing art form. Skilled ballet dancers have an unbelieveable range of motion, and perform with athleticism, precision, and grace. But the vocabulary is limited and deeply rooted in aristocratic society and ideals. If ballet is going to continue to be a relevant art form, beyond holiday performances of The Nutcracker, choreographers need to create work that isn’t exclusionary and elitist. The Judson movement of the 60s began to explore these ideas and many contemporary choreographers have since been creating ‘post-modern’ movement-based work that speaks to society in the 20th and 21st century. Ballet still communicates through centuries of tradition from European aristocrats.

Photo: Paul Kolnik; Courtesy of New York City Ballet

Lil Buck in Memphis “Nut Remix”

Posted by holbart on December 9, 2011
Posted in: American Culture, Tennessee. Tagged: African Dance, ballet, Charles Riley, Chinese Dance, Dance, Hip Hop, Katie Smythe, Lil Buck, Memphis, My Fox Memphis, New Ballet Ensemble, Nut Remix, Nutcracker, regional dance, Spike Jonze, Tennessee, The State of Dance in the Union, Yo-Yo Ma. Leave a Comment

Its that time of year; every ballet company and studio across the country is gearing up for the Nutcracker, but in Memphis, TN the New Ballet Ensemble is making a modern day twist on the nutcracker.  Hip Hop dancer Charles Riley (Lil Buck) is back in his hometown to perform in the NBE’s ”Nut Remix” as the Rat King.  According to the school’s Artistic Director, Katie Smythe, the show features authentic African and Chinese dance representing the diverse backgrounds of the students and the diversity in Memphis.  If you are in the area, check out the “Nut Remix”, it promises to be more than your typical Nutcracker.

See an interview with Katie Smythe and Charles Riley on My Fox Memphis here: Modern Day Twist on the Nutcracker | MyFoxMemphis | Fox 13 News

You can get more information on the New Ballet Ensemble’s “Nut Remix” on their website: http://www.newballet.org/

Lil Buck has received lots of internet buzz from this performance with Yo-Yo Ma, shot on Spike Jonze’s phone:

Mayor Emanuel Proclaims ‘Merce Cunningham Day’

Posted by holbart on November 19, 2011
Posted in: American Culture, American Politics, Dance, Illinois. Tagged: American public policy, Chicago, Dance, Illinois, Merce Cunningham, Merce Cunningham Day in Chicago, Rahm Emanuel, regional dance, The State of Dance in the Union. Leave a Comment
View this document on Scribd

Honoring NYC’s Diverse Dance Community

Posted by holbart on October 25, 2011
Posted in: American Culture, New York. Tagged: Dance, New York City, regional dance, The Bessies. Leave a Comment

“Last night at the Bessies the community came together to honor these ‘fleeting moments’, the dance performances in aggregate that were presented in New York last year.  This was the award show’s second year under the direction of Lucy Sexton, who has worked ardently to revitalize the event.  This year Lucy and her team brought a full house uptown to the legendary Apollo Theater.  The evening, hosted by Bebe Neuwirth, was a celebration of the diversity of dance in New York City.  Many awards were presented recognizing the performance, creation, and service to the field from individuals including Frederic Franklin, Trisha Brown, Violeta Galagarza, Ishmael Houston-Jones, Walter Dundervill, Savion Glover, Marcelo Gomes, Rashaun Mitchell, Wendy Whelan, Karen Brown and many more.“

Read the rest of the article here

 

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